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chorus

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	0	6	7	87%
	20	0	7	5	69%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	6	7	87%
	20	7	5	69%
Viola	18	3	6	66%
Violoncello	18	2	7	66%
Contrabass	22	4	5	65%

Silent Night

madelinemslov

2:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	6	1	5	100%
Soprano	8	5	0	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	6	1	5	100%
Soprano	8	5	0	5	100%
Bass	5	1	0	5	78%
Tenor	9	0	1	5	78%

Chorus in E minor

schoutens

3:30	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	19	0	8	8	100%
Violoncello	17	0	5	8	89%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	19	8	8	100%
Violoncello	17	5	8	89%
Violin	26	9	7	81%
Viola	22	7	8	70%
Soprano	17	6	5	65%
Tenor	17	6	5	59%
Bass	18	7	5	54%
Alto	15	4	5	46%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
Soprano	12	0	3	5	92%
Tenor	10	0	1	6	92%
Continuo	23	36	5	4	70%
	21	39	4	4	72%
Fagott, Bassoon	16	0	2	3	68%
Violins, Viola	13	0	1	3	68%
Violins, Violin I	13	0	3	5	68%
Violins, Violin II	13	0	2	3	68%
Violoncellos, Cello	16	0	2	3	68%
Oboe, Oboe	10	0	2	4	59%

Messiah| No.21: His Yoke is Easy

Pete Alan

2:33	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	23	0	6	8	100%
Soprano	17	0	5	10	86%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	23	6	8	100%
Soprano	17	5	10	86%
Bass	13	2	10	80%
Tenor	13	4	9	78%
Violin I	21	5	9	78%
Violin II	20	5	10	78%
Viola	17	3	8	76%
Alto	11	2	10	73%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 6/16 Acte 1 : Coro Scena 4 - BASSE

Papibois

2:00	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
Basse	12	0	4	4	67%
Tenor 1	13	0	3	4	67%
Tenor 2	13	0	3	4	67%
Soprano 1	7	0	2	5	48%
Soprano 2	8	0	3	5	48%

Kyrie in E minor (Opus 17)

schoutens

9:49	Est. Play Time
288	Measures
	2,861Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
Violoncello	24	0	10	8	75%
Contrabass	24	0	9	9	56%
Bass	23	0	10	8	55%
Violin	29	0	10	9	46%
Viola	27	0	9	9	41%
Soprano	19	0	8	8	35%
Alto	19	0	7	8	30%
Tenor	19	0	7	6	29%

The Degradation of the Chorus

Jesse David Sykes

4:13	Est. Play Time
119	Measures
	2,721Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	29	8	6	62%
	19	13	5	4	63%
Bass	16	10	3	12	85%
Tenor	13	9	2	11	80%
Alto	11	0	1	10	79%
Soprano	19	2	3	9	78%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 6/16 Acte 1 : Coro Scena 4 - SOPRANO 1

Papibois

2:00	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
Basse	12	0	4	4	67%
Tenor 1	13	0	3	4	67%
Tenor 2	12	0	2	4	67%
Soprano 1	7	0	2	5	48%
Soprano 2	8	0	3	5	48%

Outside starts a day (Afuera comienza un día) -Intro-

Aman Àlvorak

0:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	5	1	1	100%
	7	6	0	1	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	5	1	1	100%
	7	6	0	1	100%
Alto	7	0	0	4	100%
Tenor	4	0	0	2	50%
	3	0	1	2	50%
Contrabass	4	0	0	6	50%
Electric Guitar	4	0	0	5	50%
Mezzosoprano	4	0	1	2	50%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 6/16 Acte 1 : Coro Scena 4 - TENOR 2

Papibois

2:00	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	37	9	6	99%
	26	23	8	4	78%
Basse	12	0	4	4	67%
Tenor 1	13	0	3	4	67%
Tenor 2	13	0	3	4	67%
Soprano 1	7	0	2	5	48%
Soprano 2	8	0	3	5	48%

HWV63A1N2 - "Mourn, ye afflicted children" in c minor

edward.maurath

5:08	Est. Play Time
47	Measures
	1,196Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	7	6	5	94%
	25	11	8	7	100%
Contrabasses	22	0	8	7	100%
Violas	21	0	7	6	100%
Violoncellos	25	0	8	7	100%
Vln 1	25	0	9	6	100%
Vln 2	27	0	10	6	100%
Alto	15	0	5	4	87%
Tenor	15	0	5	4	87%
Bass	22	0	11	4	85%
Soprano	19	0	9	5	85%
Oboe	19	0	7	6	74%
	19	0	7	6	74%
Bassoon	23	0	8	5	74%